FEEFAA org is online space, with cultural documentations, stories, as well as creative new material. FEEFAA includes collections of old gold jewellery in the FEEFAA Gold section, articles in the Readings section, and art exhibitions are presented in the “Today Gallery at FEEFAA“.  

Readings

FEEFAA Gold 

Items exhibited represents designs influenced by trends, culture, history and surrounding regions.  

FEEFAA is voluntary work of professionals, academics and art lovers, passionately gathered the material and created this documentary.

Best of knowledge, search for information and memory assembled together.

Providing bases for additions, comparison and further studies.  

Participate by submitting articles, collections and goldsmith biographies to FEEFAA. 

FEEFAA has expanded its collections to include contemporary jewellery by selected artists in a new section named “Today Gallery at FEEFAA”.

Insight section includes related articles and memoirs. 

Exhibited jewellery items are grouped by collections, types and subtypes.

Celebrating the addition of the tenth collection “dune”.

Terminologies: Hujil is children anklet; Milwie is women’s anklet, today used as a bracelet; Baswand or Zanadi is arm band; Gardana or Gardunligh is a wide necklace choker; Gou Zair is gold beads 

Terminologies: Mantashi is a large chest brooch; Qobcha is a round brooch made of pearls; Sabah is a bracelet made of several chains; Qardon is a chain necklace of a specific design.

Al Nahir Street Goldsmiths, Yousif Askar, Salim Sha’o, Khalil Malallah, and Hashim Al Warid were among the most well known names. 

The gold used mainly is 22 karats known for its distinctive colour and softness.  Eighteen karats gold and lower is not used or very rarely.

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